The character Hamlet in a play is subject to the inevitability of the script. Jesus was subject to the inevitability of his father's plan. And Yuri Zhivago is subject to the 'inevitability' of Marxism. History follows an unavoidable path. Yet even Jesus asked to be exempted from inevitability. Created Date: 8/8/2007 12:05:39 PM. Doctor Zhivago Synopsis: During the Russian Revolution, Yuri Zhivago, is a young doctor who has been raised by his aunt and uncle following his father's suicide. Yuri falls in love with beautiful Lara Guishar, who has been having an affair with her mother's lover, Victor Komarovsky, an unscrupulous businessman. Slavophilism, nostalgia and the curse of Western ideas 113 Journal of Historical Fictions 1:2, 2017 (1967), both took great pains to remain faithful to their respective source mate- rial (Brassard 2012). Proshkin for his part adapts Doctor Zhivago very liberally, adding and deleting scenes and rewriting much of the dialogue. Doctor Zhivago Synopsis: During the Russian Revolution, Yuri Zhivago, is a young doctor who has been raised by his aunt and uncle following his father's suicide. Yuri falls in love with beautiful Lara Guishar, who has been having an affair with her mother's lover, Victor Komarovsky, an unscrupulous businessman.

Doctor Zhivago (Italian: Il dottor Živago) is a 1965 British-Italian epicromantic drama film directed by David Lean. It is set in Russia between the years prior to World War I and the Russian Civil War of 1917–1922, and is based on the 1957 Boris Pasternak novel Doctor Zhivago. While immensely popular in the West, the book was banned in the Soviet Union for decades. For this reason, the film could not be made in the Soviet Union and was instead filmed mostly in Spain.

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The film stars Omar Sharif in the title role as Yuri Zhivago, a married physician whose life is irreversibly altered by the Russian Revolution and subsequent Civil War, and Julie Christie as his married love interest Lara Antipova. The supporting cast includes Geraldine Chaplin, Rod Steiger, Alec Guinness, Tom Courtenay, Ralph Richardson, Siobhán McKenna and Rita Tushingham.

Contemporary critics were generally disappointed, complaining of its length at over three hours and claiming that it trivialized history, but acknowledging the intensity of the love story and the film's treatment of human themes. Over time, however, the film's reputation has improved greatly. At the 38th Academy Awards, Doctor Zhivago won five Oscars: Best Adapted Screenplay, Best Original Score, Best Cinematography, Best Art Direction and Best Costume Design; it was nominated for five others (including Best Picture and Best Director), but lost four of these five to The Sound of Music. It also won five awards at the 23rd Golden Globe Awards including Best Motion Picture - Drama and Best Actor - Motion Picture Drama for Sharif.

As of 2016, it is the eighth highest-grossing film of all time in the United States and Canada, adjusted for ticket-price inflation. In addition, it is also one of the top ten highest-grossing films worldwide after adjusting for inflation. In 1998, it was ranked by the American Film Institute 39th on their 100 Years.. 100 Movies list,^[4] and by the British Film Institute the following year as the 27th greatest British film of all time.^[5]

• 1Plot
• 3Production
• 4Release
• 6Accolades

Plot[edit]

Part One[edit]

The film takes place mostly against a backdrop of the pre-World War I years, World War I itself, the Russian Revolution of 1917, and the Russian Civil War. A narrative framing device, set in the late 1940s or early 1950s, involves KGBLieutenant General Yevgraf Andreyevich Zhivago (Alec Guinness) searching for the daughter of his half brother, Doctor Yuri Andreyevich Zhivago (Omar Sharif), and Larissa ('Lara') (Julie Christie). Yevgraf believes a young woman, Tanya Komarova (Rita Tushingham), may be his niece and tells her the story of her father's life.

After the burial of his mother in rural Russia, the orphaned Yuri Zhivago is taken in by his mother's friends in Moscow: Alexander (Ralph Richardson) and Anna Gromeko (Siobhán McKenna), and their daughter Tonya (Geraldine Chaplin).

In 1913, Zhivago, as a medical student in training, but a poet at heart, meets Tonya as she returns to Moscow after a long trip to Paris. Lara, only 17, is involved in an affair with the older and well-connected Victor Ippolitovich Komarovsky (Rod Steiger), a friend of her mother's (Adrienne Corri). One night, the idealistic reformer Pavel Pavlovich ('Pasha') Antipov (Tom Courtenay) drifts into left-wing extremism after being wounded by sabre-wielding dragoons during a peaceful demonstration. Pasha runs to Lara, whom he wants to marry, to treat his wound. He asks her to hide a gun he picked up at the demonstration.

Lara's mother discovers her affair with Komarovsky and attempts suicide. Komarovsky summons help from his physician (Geoffrey Keen), Zhivago's former professor, whom he accompanies back to Lara's home to treat her mother. When Komarovsky learns of Lara's intentions to marry Pasha, he tries to dissuade Lara, and then rapes her. In revenge, the humiliated Lara takes the pistol she has been hiding for Pasha and shoots Komarovsky at a Christmas Eve party, wounding him. Komarovsky insists no action be taken against Lara, who is escorted out by Pasha. Zhivago tends Komarovsky's wound. Although enraged and devastated by Lara's affair with Komarovsky, Pasha marries Lara, and they have a daughter named Katya.

During World War I, Yevgraf Zhivago is sent by the Bolsheviks to subvert the Imperial Russian Army. Pasha is reported missing in action following a daring charge attack on German forces. Lara enlists as a nurse to search for him. Yuri Zhivago is drafted and becomes a battlefield doctor.

During the February Revolution in 1917, Zhivago enlists Lara's help to tend to the wounded. Together they run a field hospital for six months, during which time radical changes ensue throughout Russia as Vladimir Lenin arrives in Moscow. Before their departure, Yuri and Lara fall in love, but Yuri remains true to Tonya, who became his wife.

After the war, Yuri returns to his wife Tonya, son Sasha, and Alexander (Anna has since died), whose house in Moscow has been divided into tenements by the new Soviet government. Yevgraf, now a member of the Cheka, informs him his poems have been condemned by Soviet censors as antagonistic to Communism. Yevgraf arranges for passes and documents in order for Yuri and his family to escape from the new political capital of Moscow to the far-away Gromeko estate at Varykino, in the Ural Mountains. Zhivago, Tonya, Sasha, and Alexander board a heavily guarded cattle train, at which time they are informed that they will be travelling through contested territory, which is being secured by the infamous Bolshevik commander named Strelnikov, who is, in fact, Pasha Antipov.

Part Two[edit]

While the train is stopped early one morning, Zhivago wanders away. He stumbles across the armoured train of Strelnikov sitting on a hidden siding. Yuri is summoned before Strelnikov, whom he recognizes as the former Pasha Antipov. During a tense interview, Strelnikov informs Yuri that his estranged wife Lara is now living in the town of Yuriatin, then occupied by the anti-Communist White Army forces. He permits Zhivago to return to his family, although it is hinted by Strelnikov's right-hand man that most people interrogated by Strelnikov end up being shot.

The family lives a peaceful life in a cottage at the Varykino estate until Zhivago finds Lara in nearby Yuriatin, at which point they surrender to their long-repressed feelings. When Tonya becomes pregnant, Yuri breaks off with Lara, only to be abducted and conscripted into service by Communist partisans.

Doctor Zhivago Script Pdf Free

After two years, Zhivago at last deserts and trudges through the deep snow to Yuriatin where he finds Lara. Lara tells Yuri that Tonya had discovered her while searching for him, and that his family is now in Moscow. She reveals a sealed letter Tonya had mailed to Lara 6 months ago to give to Yuri: Tonya, her father, and their children are being deported and will live in Paris. Yuri and Lara renew their relationship.

One night, Komarovsky arrives and informs them they are being watched by the Cheka due to Lara's connection by marriage to Strelnikov and Yuri's 'counter-revolutionary' poetry and desertion. Komarovsky offers Yuri and Lara his help in leaving Russia. They refuse. Instead, they return to the abandoned Varykino estate, taking up residence in the banned main house, where Yuri begins writing the 'Lara' poems. These will later make him famous but also incur government displeasure. Komarovsky reappears and tells Yuri that Strelnikov was captured only five miles away while apparently returning to Lara, but then committed suicide en route to his own execution. Therefore, Lara is in immediate danger of execution herself, as the Cheka had only left her free to lure Strelnikov out of hiding. Zhivago sends Lara and Katya away with Komarovsky, who has been appointed a government official in the nominally independent Far Eastern Republic of the early 1920s. Refusing to accompany a man he despises, Yuri remains behind to face his fate.

Years later, Yevgraf finds a sick and destitute Yuri in Moscow during the Stalinist era and gives him a new suit and a job. While riding a tram, Yuri spots a woman he surely thinks is Lara walking on a nearby street. Unable to call her from the tram, Yuri struggles to get off at the next stop. Yuri runs after her but suffers a fatal heart attack before he can even signal to her, and the woman walks away oblivious to Yuri's presence. Yuri's funeral is well attended, a surprise to Yevgraf as Yuri's poetry was officially 'unobtainable at the time'. Lara approaches Yevgraf at the funeral and reveals she had given birth to Yuri's daughter, but lost her in the collapse of the White-controlled government in Mongolia. After vainly looking over hundreds of orphans with Yevgraf's help, Lara disappears during Joseph Stalin's Great Purge of the late 1930s, and 'died or vanished somewhere .. in one of the labour camps', according to Yevgraf.

While Yevgraf strongly feels that Tanya Komarova is Yuri and Lara's daughter, he is still not convinced. But as Tanya leaves, Yevgraf notices that she carries a balalaika, an instrument that Yuri's mother was especially gifted at playing. Questioning her further, he learns that Tanya is self-taught — in fact, her fiancé proclaims her an 'artist' with the balalaika. Yevgraf smiles, 'Ah. Then it's a gift', thereby implying she truly must be Yuri and Lara's daughter after all.

Cast[edit]

• Omar Sharif as Dr. Yuri Andreyevich Zhivago
• Julie Christie as Lara Antipova
• Geraldine Chaplin as Tonya Gromeko
• Rod Steiger as Victor Ippolitovich Komarovsky
• Alec Guinness as Lieutenant General Yevgraf Andreyevich Zhivago
• Tom Courtenay as Pavel 'Pasha' Antipov / Strelnikov
• Siobhán McKenna as Anna Gromeko
• Ralph Richardson as Alexander Maximovich Gromeko
• Rita Tushingham as Tanya Komarova / 'The Girl'
• Jeffrey Rockland as Sasha
• Tarek Sharif (Omar's son) as Yuri at 8 years old
• Bernard Kay as Kuril / 'The Bolshevik'
• Klaus Kinski as Kostoyed Amoursky, prisoner (not named)
• Gérard Tichy as Liberius, a Red partisan commander
• Noel Willman as Razin
• Geoffrey Keen as Prof. Boris Kurt / 'Medical Professor'
• Adrienne Corri as Amelia
• Jack MacGowran as Petya
• Mark Eden as Engineer at dam
• Erik Chitty as Old Soldier
• Roger Maxwell as Beef-Faced Colonel
• Wolf Frees as Delegate
• Gwen Nelson as Female Janitor
• Lucy Westmore as Katya
• Lili Murati as The Train Jumper
• Peter Madden as Political Officer

Production[edit]

Background[edit]

Boris Pasternak's novel was published in the West amidst celebration and controversy. Parts of Pasternak's book had been known in Samizdat since some time after World War II. However, the novel was not completed until 1956. The book had to be smuggled out of the Soviet Union by an Italian called D'Angelo to be delivered to Giangiacomo Feltrinelli, a left-wing Italian publisher who published it shortly thereafter, in 1957. Helped by a Soviet campaign against the novel, it became a sensation throughout the non-communist world. It spent 26 weeks atop The New York Times best-seller list.

Pasternak was awarded the 1958 Nobel Prize for Literature. While the citation noted his poetry, it was understood^{[by whom?]} that the prize was mainly for Doctor Zhivago, which the Soviet government saw as an anti-Soviet work, thus interpreting the award of the Nobel Prize as a gesture hostile to the Soviet Union. A target of the Soviet government's fervent campaign to label him a traitor, Pasternak felt compelled to refuse the Prize. The situation became an international cause célèbre and made Pasternak a Cold War symbol of resistance to Soviet communism.

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Development and casting[edit]

The film treatment by David Lean was proposed for various reasons. Pasternak's novel had been an international success, and producer Carlo Ponti was interested in adapting it as a vehicle for his wife, Sophia Loren. Lean, coming off the huge success of Lawrence of Arabia (1962), wanted to make a more intimate, romantic film to balance the action- and adventure-oriented tone of his previous film. One of the first actors signed onboard was Omar Sharif, who had played Lawrence's right-hand man Sherif Ali in Lawrence of Arabia. Sharif loved the novel, and when he heard Lean was making a film adaptation, he requested to be cast in the role of Pasha (which ultimately went to Tom Courtenay).

Sharif was quite surprised when Lean suggested that he play Zhivago himself. Peter O'Toole, star of Lawrence of Arabia, was Lean's original choice for Zhivago, but turned the part down; Max von Sydow and Paul Newman were also considered. Michael Caine tells in his autobiography that he also read for Zhivago and participated in the screen shots with Christie, but (after watching the results with David Lean) was the one who suggested Omar Sharif.^[6][7]Rod Steiger was cast as Komarovsky after Marlon Brando and James Mason turned the part down. Audrey Hepburn was considered for Tonya, while Robert Bolt lobbied for Albert Finney to play Pasha.

Lean was able to convince Ponti that Loren was not right for the role of Lara, saying she was 'too tall' (and confiding in screenwriter Robert Bolt that he could not accept Loren as a virgin for the early parts of the film), and Yvette Mimieux, Sarah Miles and Jane Fonda were considered for the role. Ultimately, Julie Christie was cast based on her appearance in Billy Liar (1963), and the recommendation of John Ford, who directed her in Young Cassidy (1965). Sharif's son Tarek was cast as the young Zhivago in the film and Sharif directed his son as a way to get closer to his character.^[8]

Filming[edit]

Because the book was banned in the Soviet Union, it could not be filmed there. Lean's experience filming a part of Lawrence of Arabia in Spain, access to CEA studios, and the guarantee of snow in some parts of Spain led to his choosing the country as the primary location for filming.^[9] However, the weather predictions failed and David Lean's team experienced Spain's warmest winter in 50 years.^[9] As a result, some scenes were filmed in interiors with artificial snow made with dust from a nearby marble quarry. The team filmed some locations with heavy snow, such as the snowy landscape in Strelnikov's train sequence, somewhere in Campo de Gómara near Soria.^[10]

The film was shot over ten months,^[11] with the entire Moscow set being built from scratch outside Madrid. Most of the scenes covering Zhivago's and Lara's service in World War I were filmed in Soria, as was the Varykino estate. The 'ice-palace' at Varykino was filmed in Soria as well, a house filled with frozen beeswax. The charge of the partisans across the frozen lake was also filmed in Spain; a cast iron sheet was placed over a dried river-bed, and fake snow (mostly marble dust) was added on top. Some of the winter scenes were filmed in summer with warm temperatures, sometimes of up to 25 °C (77 °F). Other locations include the Estación de Madrid-Delicias in Madrid and El Moncayo. The initial and final scenes were shot at the Aldeadávila Dam between Spain and Portugal. Although uncredited, most of those scenes were actually shot on the Portuguese side of the river, overlooking the Spanish side.

Other winter sequences, mostly landscape scenes and Yuri's escape from the partisans, were filmed in Finland. Winter scenes of the family traveling to Yuriatin by rail were filmed in Canada. The locomotives seen in the film are Spanish locomotives like the RENFE Class 240 (ex-1400 MZA), and Strelnikov's armoured train is towed by the RENFE Class 141F Mikado locomotive.One train scene became notorious for the supposed fate that befell Lili Muráti, a Hungarian actress, who slipped clambering onto a moving train. Although she fell under the wagon, she escaped serious injury and returned to work within three weeks (and did not perish or lose a limb).^[12] Lean appears to have used part of her accident in the film's final cut.^[13]

Nicolas Roeg was the original Director of Photography and worked on some scenes, but after an argument with Lean, left and was replaced by Freddie Young.^[14]

Release[edit]

Theatrical[edit]

Released theatrically on 22 December 1965, the film went on to gross $111.7 million in the United States and Canada across all of its releases and is the eighth highest-grossing film of all time adjusted for inflation.^[2] The film sold an estimated 124,135,500 tickets in the United States and Canada,^[15] equivalent to $1,130,874,000 adjusted for inflation as of 2018.^[16]

In addition, it is also the eighth highest-grossing film worldwide after adjusting for inflation.^[3][17] The film sold 248.2million tickets worldwide, equivalent to $2.073 billion adjusted for inflation as of 2014.^[3]

The film was entered into the 1966 Cannes Film Festival.^[18] The film's 2015 limited re-release in the United Kingdom grossed $138,493.^[19]

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Home media[edit]

In 2002, the 35th Anniversary version of Doctor Zhivago was issued on DVD (two-disc set), and another Anniversary Edition in 2010 on Blu-ray (a three-disc set that includes a book).^[20]

Critical reception[edit]

Upon its initial release, Doctor Zhivago was criticized for its romanticization of the revolution.^[21]Bosley Crowther of The New York Times felt that the film's focus on the love story between Zhivago and Lara trivialized the events of the Russian Revolution and the resulting civil war, but was impressed by the film's visuals.^[22] Also critical of the film was The Guardian's Richard Roud, who wrote: 'In the film the revolution is reduced to a series of rather annoying occurrences; getting firewood, finding a seat on a train, and a lot of nasty proles being tiresome. Whatever one thinks of the Russian Revolution it was certainly more than a series of consumer problems. At least it was to Zhivago himself. The whole point of the book was that even though Zhivago disapproved of the course the revolution took, he had approved of it in principle. Had he not, there would have been no tragedy'.^[23]Brendan Gill of The New Yorker called the film 'a grevious disappointment .. these able actors have been given almost nothing to do except wear costumes and engage in banal small talk. 'Doctor Zhivago' is one of the stillest motion pictures of all time, and an occasional bumpy train ride or crudely inserted cavalry charge only points up its essential immobility.'^[24]The Monthly Film Bulletin wrote: 'The best one can say of Doctor Zhivago is that it is an honest failure. Boris Pasternak's sprawling, complex, elusive novel is held together by its unity of style, by the driving force of its narrative, by the passionate voice of a poet who weaves a mass of diverse characters into a single tapestry. And this is precisely what David Lean's film lacks. Somewhere in the two years of the film's making the spirit of the novel has been lost.'^[25]

Among the positive reviews, Time magazine called the film 'Literate, old-fashioned, soul-filling and thoroughly romantic'.^[26]Variety declared, 'The sweep and scope of the Russian revolution, as reflected in the personalities of those who either adapted or were crushed, has been captured by David Lean in 'Doctor Zhivago,' frequently with soaring dramatic intensity. Director [David Lean] has accomplished one of the most meticulously designed and executed films—superior in several visual respects to his 'Lawrence of Arabia.'^[27] Philip K. Scheuer of the Los Angeles Times called the film 'as throat-catchingly magnificent as the screen could be, the apotheosis of the cinema as art. With Spain and Finland doubling, absolutely incredibly, for Moscow and the Urals in all seasons, we are transplanted to another land and time .. if you will brace yourself for an inordinately lengthy session—intermission notwithstanding—in a theater seat, I can promise you some fine film-making.'^[28]Richard L. Coe of The Washington Post called it 'Visually beautiful and finely acted.' He identified the film's length as its 'greatest drawback' but wrote that 'we weary of the long train ride or become impatient with individual scenes, but, thinking back on them, we perceive their proper intent.'^[29] Clifford Terry of the Chicago Tribune wrote that director David Lean and screenwriter Robert Bolt 'have fashioned out of a rambling book, a well controlled film highlighted by excellent acting and brilliant production.'^[30]

Reviewing it for its 30th anniversary, film critic Roger Ebert regarded it as 'an example of superb old-style craftsmanship at the service of a soppy romantic vision', and wrote that 'the story, especially as it has been simplified by Lean and his screenwriter, Robert Bolt, seems political in the same sense Gone With the Wind is political, as spectacle and backdrop, without ideology', concluding that the political content is treated mostly as a 'sideshow'.^[21] Geoffrey Macnab of The Independent reviewed the film for its 50th anniversary and noted director David Lean's 'extraordinary artistry' but found the film bordering on 'kitsch'. Macnab also felt that the musical score by Maurice Jarre still stood up but criticised the English accents.^[31]

The film presently holds a score of 82% on Rotten Tomatoes based on 45 reviews, with an average grade of 7.5 out of 10. The critical consensus reads: 'It may not be the best of David Lean's epics, but Dr. Zhivago is still brilliantly photographed and sweepingly romantic.'^[32]

In 2013, Jennifer Lee and Chris Buck cited Doctor Zhivago as an influence on the 2013 Walt Disney Animation Studios film Frozen.^[33]

Accolades[edit]

Both Doctor Zhivago and The Sound of Music received the most nominations at the 38th Academy Awards, where they were each nominated in ten categories.^[34] Both films won five oscars apiece, but The Sound of Music beat out Doctor Zhivago in the Best Picture and Director categories. Julie Christie—not nominated for her role in Doctor Zhivago—won the Best Actress Oscar for her performance in Darling.^[34][35]

Won

• Best Art Direction (John Box, Terence Marsh; set decoration: Dario Simoni)
• Best Cinematography (Freddie Young)
• Best Adapted Screenplay (Robert Bolt)
• Best Costume Design (Phyllis Dalton)
• Best Original Score (Maurice Jarre)

Nominated

• Best Picture (Carlo Ponti)
• Best Supporting Actor (Tom Courtenay)
• Best Director (David Lean)
• Best Editing (Norman Savage)
• Best Sound (A. W. Watkins, Franklin Milton, MGM Sound Department)

The film was nominated for six Golden Globe Awards, and won five.

Won

• Golden Globe Award for Best Director - Motion Picture (David Lean)
• Golden Globe Award for Best Actor - Motion Picture Drama (Omar Sharif)
• Golden Globe Award for Best Screenplay (Robert Bolt)
• Golden Globe Award for Best Original Score (Maurice Jarre)

Nominated

• Golden Globe Award for New Star of the Year – Actor (Geraldine Chaplin)

The film received three BAFTA Award nominations:

• Best Film from Any Source (Carlo Ponti, David Lean)
• BAFTA Award for Best British Actor (Ralph Richardson)
• BAFTA Award for Best British Actress (Julie Christie)

Other awards and nominations:

• Cannes Film Festival Palme d'Or (David Lean) - Nominated
• David di Donatello Award for Best Foreign Production (Carlo Ponti) - Won
• David di Donatello Award for Best Foreign Director (David Lean) - Won
• David di Donatello Award for Best Foreign Actress (Julie Christie) - Won
• Grammy Award for Best Score Soundtrack for Visual Media (Maurice Jarre) - Won
• Laurel Award for Drama - Won
• Laurel Award for Dramatic Performance, Male (Omar Sharif) - 2nd place
• Laurel Award for Supporting Performance, Male (Tom Courtenay) - 3rd place
• National Board of Review Award for Best Actress (Julie Christie) - Won
• New York Film Critics Circle Award for Best Director (David Lean) - 2nd place

American Film Institute recognition[edit]

• AFI's 100 Years.. 100 Movies – No. 39
• AFI's 100 Years.. 100 Passions – No. 7

References[edit]

1. ^'DOCTOR ZHIVAGO (A)'. British Board of Film Classification. 25 February 1966. Retrieved 10 July 2015.
2. ^ ^ab'Doctor Zhivago (1965)'. Box Office Mojo. Retrieved 29 April 2014.
3. ^ ^abcGuinness World Records. 60 (2015 ed.). 2014. pp. 160–161. ISBN9781908843708.
4. ^AFI's 100 Years.. 100 Movies (1998). Retrieved 25 October 2015
5. ^British Film Institute - Top 100 British Films (1999). Retrieved 27 August 2016
6. ^Caine, Michael (1994). What's It All About? (1st U.S. Ballantine Books ed. Feb., 1994. ed.). New York: Ballantine Books. ISBN978-0345386809.
7. ^Murray, Rebecca (2010). 'Michael Caine Discusses 'Journey 2: The Mysterious Island''. About.com: Hollywood Movies. Oahu, HI. Archived from the original on 8 April 2014. Retrieved 4 March 2014. I did all the back heads for the screen tests for Dr. Zhivago. Julie Christie, who's a friend of mine, went up to play the part and she said, 'You come and play the other part with me,' so I went.
8. ^'Doctor Zhivago (1965) - Articles - TCM.com'. Turner Classic Movies. Retrieved 10 March 2016.
9. ^ ^ab'Filming in Madrid'.
10. ^'Línea Santander-Mediterráneo. Campo de Gómara'.
11. ^Geraldine Chaplin appearance on the What's My Line?, episode 814. Originally aired 2 January 1966 on CBS. Viewed on 10 September 2007.
12. ^'Dr. Zhivago stunt death'. www.snopes.com. Retrieved 9 January 2016.
13. ^'Woman Falling Under a Train in Doctor Zhivago'. www.thingsinmovies.com. 1 November 2011. Archived from the original on 3 March 2016. Retrieved 9 January 2016.
14. ^'Nicolas Roeg'. the Guardian. Retrieved 10 March 2016.
15. ^'All Time Box Office Adjusted for Ticket Price Inflation (Est. Tickets)'. Box Office Mojo. Retrieved 28 July 2019.
16. ^'All Time Box Office Adjusted for Ticket Price Inflation'. Box Office Mojo. 2018. Retrieved 28 July 2019.
17. ^Glenday, Craig, ed. (2011). Гиннесс. Мировые рекорды [Guinness World Records] (in Russian). Translated by Andrianov, P.I.; Palova, I.V. (2012 ed.). Moscow: Astrel. p. 211. ISBN978-5-271-36423-5.
18. ^'Doctor Zhivago'. Festival de Cannes. 1966. Retrieved 7 March 2009.
19. ^'Doctor Zhivago (Re: 2015) - Financial Information (United Kingdom)'. The Numbers. Retrieved 28 July 2019.
20. ^'DVD & Blu-ray cover art release calendar- May 2010'. dvdtown.com. Archived from the original on 15 February 2010. Retrieved 17 May 2010.
21. ^ ^abEbert, Roger (17 April 1995). 'Doctor Zhivago'. RogerEbert.com. Retrieved 29 August 2016.
22. ^Crowther, Bosley (23 December 1965). 'Movie Review, Doctor Zhivago (1965)'. The New York Times. .. has reduced the vast upheaval of the Russian Revolution to the banalities of a doomed romance.
23. ^Roud, Richard (29 April 1966). 'Doctor Zhivago review – archive'. The Guardian. Retrieved 29 August 2016.
24. ^Gill, Brendan (1 January 1966). 'The Current Cinema'. [[[The New Yorker]]: 46.
25. ^'Doctor Zhivago'. The Monthly Film Bulletin. 33 (389): 86. June 1966.
26. ^'Cinema: To Russia with Love'. Time Magazine. 31 December 1965. Retrieved 29 August 2016.
27. ^'Doctor Zhivago'. Variety: 6. 29 December 1965.
28. ^Scheuer, Philip K. (December 24, 1965). 'Zhivago'---a Poetic Picture'. Los Angeles Times. Part II, p. 11.
29. ^Coe, Richard L. (4 February 1966). 'Doctor Zhivago'. The Washington Post: C4.
30. ^Terry, Clifford (January 28, 1966). 'Acting Excellent, So Is Production in 'Doctor Zhivago'. Chicago Tribune. Section 2, p. 13.
31. ^Macnab, Geoffrey (26 November 2016). 'Doctor Zhivago, film review: David Lean's epic romance celebrates 50th anniversary'. Retrieved 30 August 2016.
32. ^'Doctor Zhivago'. Rotten Tomatoes. Retrieved 18 November 2018.
33. ^'Frozen creators: It's Disney - but a little different'. Metro. 8 December 2013. Retrieved 14 June 2019.
34. ^ ^ab'The 38th Academy Awards (1966) Nominees and Winners'. oscars.org. Retrieved 24 August 2011.
35. ^'The New York Times: Doctor Zhivago'. The New York Times. Retrieved 26 December 2008.

Further reading[edit]

• Christie, Ian (2015). Doctor Zhivago. BFI Film Classics. Palgrave Macmillan.

External links[edit]

• Doctor Zhivago on IMDb
• Doctor Zhivago at the TCM Movie Database
• Doctor Zhivago at Rotten Tomatoes
• Doctor Zhivago at the BFI's Screenonline

Doctor Zhivago is a 1965 film about the life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.

Directed by David Lean. Written by Robert Bolt, based on the novel by Boris Pasternak.

Doctor Zhivago Free Pdf

Yevgraf Zhivago[edit]

• In bourgeois terms it was a war between the Allies and Germany. In Bolshevik terms it was a war between the Allied and German upper classes - and which of them won was a matter of indifference.
  • on World War I
• They [the warring powers] were shouting for victory all over Europe—praying for victory to the same God. My task—the Party's task—was to organize defeat. From defeat would spring the Revolution..and the Revolution would be victory for us
  • on World War I
• The Party looked to the conscript peasants. Most of them were in their first good pair of boots. When the boots wore out, they'd be ready to listen. When the time came, I was able to take three battalions with me out of the front lines; the best day's work I ever did.
• Happy men don't volunteer. They wait their turn, and thank god if their age or work delays it.
• Even Comrade Lenin underestimated both the anguish of that nine hundred mile-long front, and our cursed capacity for suffering.
• I told myself it was beneath my dignity to arrest a man for pilfering firewood. But nothing ordered by the Party is beneath the dignity of any man. And the Party was right: one man desperate for a bit of fuel is pathetic; five million people desperate for fuel will destroy a city.
  • on seeing Zhivago pulling wood from a fence
• That was the first time I ever saw my brother. But I knew him. And I knew I would disobey the Party. Perhaps it was the tie of blood between us, but I doubt it; we were only half-tied anyway, and brothers will betray a brother. Indeed, as a policeman I would say get hold of a man's brother and you're half-way home. Nor was it admiration for a better man than me. I did admire him; but I didn't think he was a better man. Besides, I've executed better men than me with a small pistol.
• She'd come to Moscow to look for her child. I helped her as best I could, but I knew it was hopeless. I think I was a little in love with her. One day she went away and didn't come back. She died or vanished somewhere, in one of the Labour Camps. A nameless number on a list that was afterwards mislaid. That was quite common in those days.
  • of Lara
• But if people love poetry, they love poets. And nobody loves poetry like a Russian.

Viktor Komarovsky[edit]

• No doubt they'll sing in tune after the revolution..
  • breaking the uneasy silence in an expensive restaurant caused by the singing of a Bolshevik demonstration on the street outside
• And don't delude yourself this was rape. That would flatter us both.
  • after forcing himself on Lara
• Yuri Andreievich, you spent two years with the partisans, fifth division. You have no discharge so you are a deserter. Your family in Paris is involved in a dangerous émigré organisation. Now all these are technicalities. But your style of life; everything you say and think, your published writings are all flagrantly subversive. Your days are numbered unless I help you. Do you want my help?
• But don't you see her position? She's served her purpose. These men who came with me today as an escort will come for her and the child tomorrow as a firing squad! Now I know exactly what you think of me, and why. But if you're not coming with me, she's not coming with me. So are you coming with me? Do you accept the protection of this ignoble Caliban on any terms that Caliban cares to make? Or is your delicacy so exorbitant that you would sacrifice a woman and a child to it?
• [Reeling drunk] We're all made of the same clay, you know! Clay! Claaaaay!!

Pasha Antipov / Strelnikov[edit]

• There'll be no more peaceful demonstrations. There were women and children, Lara, and they rode them down. Starving women asking for bread. And up on Tamskaya Avenue the pigs were eating and drinking and dancing.
• You put your knife with a fork and a spoon and it looks quite innocuous. Perhaps you travel with a wife and child for the same reason.
  • while interrogating Zhivago
• I shouldn't admire it now. I should find it absurdly personal. Don't you agree? Feelings, insights, affections.. it's suddenly trivial now. You don't agree; you're wrong. The personal life is dead in Russia. History has killed it. [..] The private life is dead - for a man with any manhood.
  • after telling Zhivago that he used to admire his poetry

Amourski[edit]

• Long Live Anarchy! Lickspittle! Bureaucrat!
• I am a free man, Lickspittle, and there's nothing you can do about it. I am the only free man on this train. The rest of you are cattle!

Gromeko[edit]

• A body, styling itself the Yuriatin Committee of Revolutionary Justice, has expropriated my house. In the name of the people. Very well. I'm one of the people too!
  [He picks up a shovel and makes to force his way in.]
• They've shot the Czar, and all his family. Oh, that's a savage deed.

Dialogue[edit]

Engineer: If they were to give me two more excavators, I'd be a year ahead with the plan by now.

Yevraf: You're an impatient generation.

Engineer: Weren't you?

Yevgraf: Yes, we were. Very. Oh, don't be too impatient, Comrade Engineer; we've come very far, very fast.

Engineer: Yes, I know that Comrade General.

Yevgraf: Yes, but do you know what it cost.? There were children in those days who lived off human flesh, did you know that?

Doctor Zhivago Sheet Music

Yevgraf: This is a new edition of the Lara poems.

Engineer: Yes, I know. We admire your brother very much.

Yevgraf: Yes, everybody seems to. now.

Engineer: Well, we couldn't admire him when we weren't allowed to read him..

Yevgraf: ..No.

The Girl: I'm not your neice, Comrade General.

Yevgraf: Well, I'm nobody's idea of an uncle, but if this man were my father, I should want to know.

Lara: I-I'm going now, Viktor.

Komarosvsky: Whenever you like dear. You see, you'll always come back.

[Komarovsky meets Lara's future husband.]

Komarovsky: Pavel Pavlovich; my chief impression - and I mean no offence - is that you're very young.

Pasha Antipov: Monsieur Komarovsky; I hope I don't offend you. Do people improve with age?

Komarovsky: They grow a little more tolerant.

Pasha Antipov: Because they have more to tolerate in themselves. If people don't marry young, what do they bring to their marriage?

Komarovsky: A little experience.

Komarovsky: [speaking of Pasha Antipov] Lara, I am determined to save you from a dreadful error. There are two kinds of men, and only two, and that young man is one kind. He is high-minded. He is pure. He is the kind of man that the world pretends to look up to and in fact despises. He is the kind of man who breeds unhappiness; particularly in women. Now, do you understand?

Lara: No.

Komarovsky: I think you do. There's another kind. Not high-minded. Not pure. But alive. Now that your taste at this time should incline towards the juvenile is understandable. But for you to marry that boy would be a disaster. Because there's two kinds of women. [Lara puts her hands to her ears; he snatches them away] There are two kinds of women and you - as we well know - are not the first kind. [Lara slaps him. He slaps her back, harder] You, my dear, are a slut.

Lara: I am not!

Komarovsky: We'll see.

Dr Zhivago Youtube

[the camera shows a group of dejected-looking Russian soldiers in a trench, staring out across a snowy no-man's land during World War I as Yevgraf narrates]

Yevgraf: 'By the second winter of the war, the boots had worn out.. but the line still held. Their great coats fell to pieces on their backs. Their rations were irregular. Half of them went into action without arms, led by men they didn't trust.'

Officer: [leaps up on top of trench with a saber drawn] Come on, you bastards!

Yevgraf: 'And those they did trust..'

Pasha: [jumps out of the trench waving his rifle] Come on, comrades! Come on!

[the Russian soldiers hesitantly follow Pasha as the German guns open fire]

Pasha: Come on! Comrades! Earth-shakers! SHOW THEM!!! CHARGE!

[Pasha is hit by several artillery explosions; the rest of the Russian soldiers retreat back to their trench. Cut to Russian soldiers beginning to leave their trenches and desert.]

Yevgraf: 'At last, they did what all the armies dreamed of doing - they began to go home. That was the beginning of the Revolution.'

Lara: You know, you often look at me as if you knew me.

Yuri: I have seen you before. Four years ago. Christmas Eve. [when Lara shot Komarovsky at a party which Zhivago was attending]

Lara: Were you there? No wonder you look at me. Did you know Viktor Komarovsky?

Yuri: Yes I did. That young man who took you away -

Lara: My husband.

Yuri: Lot of courage. He made the rest of us look very feeble. As a matter of fact, I thought you both did. Good man to shoot at.

Lara: I'd give anything never to have met him.

Sergei: This Lenin - will he be the new Czar, then?

Kuril: Listen Daddy - no more Czars! No more masters! Only workers in a workers' state! How about that?!

[Yevgraf meets Yuri and his family. Whilst Yevgraf appears on the screen, we never hear his on-screen words but his voice-over instead.]

Yevgraf: 'I told them who I was. The old man was hostile, the girl, cautious. My brother.. seemed very pleased. I think the girl was the only one who guessed at their position.'

Yuri: You're just as I imagined you. You're my political conscience.

Yevgraf: 'I asked him - hadn't he one of his own? [laughs] And so he talked about the revolution.'

Yuri: You lay life on a table and you cut out all the tumours of injustice. Marvellous.

Yevgraf: 'I told him if he felt like that he should join the party.'

Yuri: Ah, but cutting out the tumours of injustice - that's a deep operation. Someone must keep life alive while you do it. By living. Isn't that right?

Yevgraf: 'I thought then it was wrong. He told me what he thought about the party and I trembled for him. He approved of us, but for reasons which were subtle, like his verse. Approval such as his could vanish overnight. I told him so.'

Yuri: Well, of course I can't approve this evening something you may do tomorrow.

Yevgraf: 'He was walking about with a noose round his neck and didn't know. So I told him what I'd heard about his poems.'

Yuri: Not.. liked? Not liked by whom? Why not liked?

Yevgraf: 'So I told him that.'

Yuri: Do you think it's 'personal, petit-bourgeoise and self-indulgent'?

[On the screen, Yevgraf nods and says 'yes'.]

Yevgraf: 'I lied. But he believed me, and it struck me through to see that my opinion mattered. The girl knew what it meant, what it was going to mean. They couldn't survive what was coming in the city. I urged them to leave and live obscurely somewhere in the country where they could keep themselves alive.'

Tonya: We have - used to have - an estate at Varykino, near Yuriatin. People know us there.

Yevgraf: 'He didn't resist. I offered to obtain permits, passes, warrants; I told them what to take, and what to leave behind. I had the impertinence to ask him for a volume of his poems. And so we parted. I think I even told him that we would meet again in better times.. but perhaps I didn't.'

[Zhivago has been captured by Partisans.]

Partisan Commander: Comrade Doctor, I need a medical officer.

Zhivago: I'm sorry, I have a wife and child in Varykino-

Commissar: And a mistress in Yuriatin.

[The commander laughs.]

Partisan Commander: Comrade Medical Officer, we are Red Partisans, and we shoot deserters.

Partisan Commander: I command this unit!

Commissar: We command jointly! The Party bulletin expressly states-

[The Commander knocks the Commissar's papers off the table.]

Partisan Commander: Bah! I could have you taken out and shot!

Commissar: And could you have the Party taken out and shot?

[Komarovsky arrives in Yuriatin.]

Zhivago: I think you'd better go.

Komarovsky: Your rarified selfishness is intolerable. Larissa's in danger too.

Zhivago: By association with me?!

Komarovsky: No, not by association with you; you're small fry. By association with Strelnikov.

Lara: I've never met Strelnikov.

Komarovsky: You're married to Strelnikov! They know that.

Lara: I was married to Pasha Antipov.

Komarovsky: I understand, I understand.. but they don't.

[Komarovsky returns.]

Komarovsky: Strelnikov is dead.

Zhivago: What?!

Komarovsky: Spare me your expressions of regret. He was a murderous neurotic of no use to anyone. Do you see how this affects Larissa? You don't. You're a fool. She's Strelnikov's wife. Why do you think they haven't arrested her – is this the usual practice? Why do you think they had her watched at Yuriatin? They were waiting for Strelnikov.

Zhivago: If they thought Strelnikov would come running to his wife, they didn't know him..

Komarovsky: They knew him well enough. He was only five miles from here when they caught him. He was arrested on the open road. He didn't conceal his identity – indeed throughout the interview he insisted they call him Pavel Antipov, which is his right name, and refused to answer to the name Strelnikov. On his way to execution he took a pistol from one of the guards and blew his own brains out.

Zhivago: Oh my god.. don't tell Lara this.

Komarovsky: I think I know Lara at least as well as you. But don't you see how this affects her position? She's served her purpose. These men that came with me today as an escort will come for her and the child tomorrow as a firing squad! Now, I know exactly what you think of me, and why, but if you're not coming with me she's not coming with me. So – are you coming with me? Do you accept the protection of this ignoble Caliban on any terms that Caliban cares to make.. or is your.. delicacy.. so exorbitant that you would sacrifice a woman and a child to it?

Yevgraf: This man was your father. Why won't you believe it? Don't you want to believe it?

The Girl: Not if it isn't true.

Yevgraf: That's inherited..

Yevgraf: Tonya - can you play the balalaika?

David: [her boyfriend] Can she play?! She's an artist!

Yevgraf: And who taught you?

David: No-one taught her!

Yevgraf: Ah.. then it's a gift.

Taglines[edit]

• A Love Caught in the Fire of Revolution.
• In a world of guns and ice there is the great noise of battle and the greater silence of lovers.
• Turbulent were the times and fiery was the love story of Zhivago, his wife and the passionate, tender Lara.

Cast[edit]

• Omar Sharif — Dr. Yuri Zhivago
• Alec Guinness — General Yevgraf Zhivago
• Julie Christie — Larissa 'Lara' Antipova
• Geraldine Chaplin — Tonya Gromeko
• Rod Steiger — Viktor Komarovsky
• Tom Courtenay — Pasha Antipov AKA 'Strelnikov'
• Rita Tushingham — The Girl, Tonya Komarovsky, Lara's and Yuri's daughter
• Klaus Kinski — Kostoyed Amourski, the anarchist

External links[edit]

• Doctor Zhivago quotes at the Internet Movie Database